Disembraining Machine

gatherings, documents, projects, label - brisbane aus

Mattin in Australia 2013

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Sydney
THU MAY 2 
- The NOW now @ Hibernian House
FRI MAY 3 - Dialogue without Douglas Kahn at Sydney University [by invitation]


Melbourne
SAT MAY 4 - International Noise Conference @ Goodtime Studios. Hosted by Sabbatical and NO PA [Starting 2pm]
SUN MAY 5 - Non-Concert / Why Noise? [post-INC] @ Goodtime Studios
TUES MAY 7 - Make It Up Club @ Bar Open
WED MAY 8 - Art Forum Series @ VCA [12:30pm]

Brisbane
THURS MAY 9 - Performance (after Luke Fowler after Cornelius Cardew) @ Institute of Modern Art [6pm]
SAT MAY 11 - Talk/Listen / Non-Concert @ The Loft QUT [4pm]
SUN MAY 12 - Real Bad Mattin @ Real Bad, Moorooka

The Basque anarchist artist Mattin has spent the last decade establishing a highly distinctive practice in noise and ‘free’ improvisational music. His work pays homage to the histories of these genres, while simultaneously undertaking a provocative and often humorous interrogation of the rules and standards to which they adhere—the proposed anti-sociality of noise, the implicit ‘freedom’ in improvisation. Mattin considers this testing to be a process of ‘distributing vulnerability’ across the core assumptions made by audiences and performers alike.

Disembraining are bringing Mattin to Melbourne, Sydney, and Brisbane in May, to stage a series of non-concerts, concerts, silences, conversations, and other activities in response to the question ‘What isn’t music?’

What Is Not Music project.

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DISEMBRAINING SOUND SUMMIT

On the weekend we go to Newcastle for a Disembraining Machine showcase as part of Sound Summit.

DISEMBRAINING MACHINE PRESENTS:

SOFT POWER,(Bris)
BRAINBEAU (Bris)
PINK MOUSE (Bris)
AMATEUR CHILDBIRTH (Bris)

VENUE: The Croatian Club, Albert Street, Wickham, 2293

MAXIMUM STAG

maximum rock n roll

STAG - get used to it 7” (Disembraining)
Holy SHIIIIITTTT. Witch spells sung as girl group hits through a lens of stiff minimalism. “Goin Out” is the hiT of the century. Psychedelic key flourishes, bedroom dance drums, vocals that run the gamut from bored drones to torch song sing alongs to shrill scream outs, the bass keeping it groovy. It’s like the best parts of Jefferson Airplane, Kleenex, and the Slits. Seriously, blowing my mind. (MM)


SCRAPS ‘1982’

DM702 STAG - GET USED TO IT 7”